DPA Microphones 5006-11A Surround Microphone Kit #5006-11A
- Product SKU: 5006-11A
- Category:DPA Microphones,Pro Audio
Key Features
- 3 Matched 4006A Omnidirectional Mics
- Matched Within 0.5dB Frequency Response
- 2 Matched 4011A Cardioid Mics
- Matched Within 1dB
- Decca Tree Orchestral Recording
- Includes Holders, Grids, & Windscreens
In the Box
- DPA Microphones UA0639 Microphone Clip
- DPA Microphones UA0896 Windscreen for 0.75" (19mm) Microphones
- Limited 5-Year Warranty
- DPA Microphones UA0639 Microphone Clip
- DPA Microphones UA0896 Windscreen for 0.75" (19mm) Microphones
- Limited 5-Year Warranty
The 5006-11A Surround Microphone Kit from DPA Microphones includes three matched 4006A omnidirectional microphones and two matched 4011A cardioid microphones. The 4006As are matched within 0.5dB on both frequency response and sensitivity while the two 4011As are matching within 1dB. The maximum phase response difference is 5°. They can be used for AB stereo, Decca Tree, or surround main array recording techniques for orchestral settings. DPA includes mic holders, grids, and windscreens for all mics. The included Peli foam lined case can be used for transportation and storage.
DPA Microphones 4006A Omnidirectional Microphone
The 4006A Omnidirectional Microphone from DPA is designed for capturing vocals, close miking instruments, amplifier cabinets, and similar sources in live sound reinforcement and crucial recording applications. It features an omnidirectional condenser element for a linear high-frequency response and detail. Additionally, the microphone allows you to maintain a linear tonal response when closely positioning it near speaker cabinets, percussion, and other instruments. Separately sold acoustic modification accessories, including a nose cone and interchangeable protection grids, allow the 4006A to acoustically transform without changing the phase and sonic character of the microphone. An output stage provides faithful recreations of the original source material and an included microphone clip and windscreen.
- Maximum linearity, particularly at the high-end
- Clean, neutral sonic character
- Omnidirectional polar pattern
- Can be used for A-B stereo pairs in symphonic concert hall recordings
DPA Microphones 4011A Cardioid Microphone
The 4011A Cardioid Microphone from DPA is designed for capturing vocals, close miking instruments, amplifier cabinets, and other sources in live sound reinforcement and crucial recording applications. It features a cardioid condenser element for minimizing off-axis noise in spot-miking applications and an output stage that provides faithful recreations of the original source material. A switchable 20 dB pad provides added headroom and minimizes distortion while capturing transient signals. Additionally, the microphone allows you to maintain a linear tonal response when closely positioning it near speaker cabinets, percussion, and other instruments.
- Cardioid pickup pattern provides superb separation between sound sources
- Equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments, and vocals
- Flat on-axis frequency response and maximum phase response
- 20 dB pad switch in the center of the XLR connector to attenuate the output of the microphone
Key Features
- 3 Matched 4006A Omnidirectional Mics
- Matched Within 0.5dB Frequency Response
- 2 Matched 4011A Cardioid Mics
- Matched Within 1dB
- Decca Tree Orchestral Recording
- Includes Holders, Grids, & Windscreens
In the Box
- DPA Microphones UA0639 Microphone Clip
- DPA Microphones UA0896 Windscreen for 0.75" (19mm) Microphones
- Limited 5-Year Warranty
- DPA Microphones UA0639 Microphone Clip
- DPA Microphones UA0896 Windscreen for 0.75" (19mm) Microphones
- Limited 5-Year Warranty
The 5006-11A Surround Microphone Kit from DPA Microphones includes three matched 4006A omnidirectional microphones and two matched 4011A cardioid microphones. The 4006As are matched within 0.5dB on both frequency response and sensitivity while the two 4011As are matching within 1dB. The maximum phase response difference is 5°. They can be used for AB stereo, Decca Tree, or surround main array recording techniques for orchestral settings. DPA includes mic holders, grids, and windscreens for all mics. The included Peli foam lined case can be used for transportation and storage.
DPA Microphones 4006A Omnidirectional Microphone
The 4006A Omnidirectional Microphone from DPA is designed for capturing vocals, close miking instruments, amplifier cabinets, and similar sources in live sound reinforcement and crucial recording applications. It features an omnidirectional condenser element for a linear high-frequency response and detail. Additionally, the microphone allows you to maintain a linear tonal response when closely positioning it near speaker cabinets, percussion, and other instruments. Separately sold acoustic modification accessories, including a nose cone and interchangeable protection grids, allow the 4006A to acoustically transform without changing the phase and sonic character of the microphone. An output stage provides faithful recreations of the original source material and an included microphone clip and windscreen.
- Maximum linearity, particularly at the high-end
- Clean, neutral sonic character
- Omnidirectional polar pattern
- Can be used for A-B stereo pairs in symphonic concert hall recordings
DPA Microphones 4011A Cardioid Microphone
The 4011A Cardioid Microphone from DPA is designed for capturing vocals, close miking instruments, amplifier cabinets, and other sources in live sound reinforcement and crucial recording applications. It features a cardioid condenser element for minimizing off-axis noise in spot-miking applications and an output stage that provides faithful recreations of the original source material. A switchable 20 dB pad provides added headroom and minimizes distortion while capturing transient signals. Additionally, the microphone allows you to maintain a linear tonal response when closely positioning it near speaker cabinets, percussion, and other instruments.
- Cardioid pickup pattern provides superb separation between sound sources
- Equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments, and vocals
- Flat on-axis frequency response and maximum phase response
- 20 dB pad switch in the center of the XLR connector to attenuate the output of the microphone
